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John White and Sabine Haenni (eds.) Fifty Key American Films London and New York, 2009 |
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David Thomson Have you seen?, A personal introduction to 1,000 films New York, 2008 |
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Jürgen Müller (ed.) Movies of the 50s Köln, London, Los Angeles, Madrid, Paris, Tokyo, 2005 |
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Lloyd Hughes The Rough Guide to Gangster Movies London, 2005 |
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Roger Ebert The Great Movies 2003 |
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Tom Pendergast, Sara Pendergast (eds.) International Dictionary of Films and Filmmakers, 1. Films Detroit/New York/San Francisco/London/Boston/Woodbridge, CT, 2000 |
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Danny Peary Alternate Oscars, One Critic's Defiant Choices for Best Picture, Actor, and Actress - From 1927 to the Present New York, 1993 |
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Neil Sinyard Classic Movies London, 1993 |
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James Naremore Acting in the Cinema Berkeley, Los Angeles and London, 1988 |
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Peter Biskind Seeing Is Believing, How Hollywood Taught Us to Stop Worrying and Love the Fifties New York, 1983 |
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Tony Thomas Marlon Brando und seine Filme München, 1981 |
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Douglas Brode The Films of the Fifties Secaucus, NJ, 1976 |
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Michael F. Keaney Film Noir Guide, 745 Films of the Classic Era, 1940-1959 Jefferson, North Carolina, and London, 2003 |
Stephen Schwartz, Arthur Miller's Proletariat, The True Stories of On the Waterfront, Pietro Panto, and Vincenzo Longhi, in: Film History, vol. 16, 2004 pp. 378-392 |
Harvey Klehr and John Earl Haynes, On the Waterfront without a clue, a review essay, in: Film History, vol. 16, 2004 pp. 393-395 |
Kim Newman, On the Waterfront, in: Empire, nr. 199 (January), 2006 pp. 196-197 |
Adrian Curry, Graphic detail, in: Filmcomment, nr. 2 (March/April), 2014 pp. 80 |
John Caps, Soundtracks 101, Essential movie music: a listener's guide, in: Filmcomment, nr. 6 (Nov/Dec), 2003 pp. 31-49 |