* | February 20, 1925 Kansas City, Missouri, USA | |
as Robert Bernard Altman | ||
† | November 20, 2006 West Hollywood , California, USA |
George Stevens, Jr. (ed.) Conversations at the American Film Institute with the great moviemakers, The next generation New York, 2012 |
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John C. Tibbetts and James M. Welsh The Encyclopedia of Filmmakers, Volume I New York, NY, 2002 |
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Yoram Allon, Del Cullen and Hannah Patterson (eds.) Contemporary North American Film Directors, A Wallflower Critical Guide London and New York, 2002 |
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Tom Pendergast, Sara Pendergast (eds.) International Dictionary of Films and Filmmakers, 2. Directors Detroit/New York/San Francisco/London/Boston/Woodbridge, CT, 2000 |
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Andrew Sarris (editor) The St. James Film Directors Encyclopedia Detroit - New York - Toronto - London, 1998 |
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Judy Stone Eye on the World, Conversations with International Filmmakers Los Angeles, 1997 |
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Ellen Oumano Film Forum, Thirty-Five Top Filmmakers Discuss Their Craft New York, 1985 |
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Diane Jacobs Hollywood Renaissance New York, 1980 |
David Thomson The New Biographical Dictionary of Film New York, 2003 |
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Kay Weniger Das große Personenlexikon des Films, Erster Band. A-C Berlin, 2001 |
Kent Jones, It Don't Worry Me, in: Filmcomment, nr. 3, 2006 pp. 30-34 |
Adrian Danks, "It's OK with me", Introducing Robert Altman, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
Mark Minett, Sponsoring the Hollywood Renaissance, Reappraising Altman's Industrial Films, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
Tony Williams, From Alfred Hitchcock Presents to Tanner on Tanner, The Long Tail of Altman's Television Career, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
Nick Hall, Just a Station on His Way? Altman's Transition From Television to Film, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
David Sterritt, Breaking the Rules, Altman, Innovation and the Critics, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
Hamish Ford, The Porous Frame, Visual Style in Altman's 1970s Films, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
Jay Beck, The Democratic Voice, Altman's Sound Aesthetics in the 1970s, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
Stephen Teo, Altman and the Western, or a Hollywood Director's History Lesson of the American West, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
Rick Armstrong, Altman/Nixon/Reagan, Honorable Secrets, Historical Analogies and the Nexus of Anger, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
Robert T. Self, LA and Paris, The Construction of Social Space in the Films of Altman, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
Adrian Danks, "The Man I Love," or Time Regained, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |
Christos Tsiolkas, Altman, The Artist in Middle Age, in: Adrian Danks (ed.), A companion to Robert Altman, Chichester, West Sussex; Malden, MA, 2015 |